MPSE Golden Reel Awards 2015, ecco tutti i vincitori

Creato il 16 febbraio 2015 da Lightman
Inviato da Luca Rosati
Notizia | 16/02/2015 ( ore 20:14 ) : Nella giornata di ieri si è svolta la cerimonia di premiazione dei MPSE Golden Reel Awards 2015, ovvero i riconoscimenti assegnati all'eccellenza nel montaggio sonoro in ambito cinematografico e televisivo. Le categorie seriali hanno visto le vittorie di Game of Thrones e The Newsroom che si sono aggiudicate i rispettivi premi Best Sound Editing in Television, Short Form: FX/Foley ed il Best Sound Editing in Television, Short Form: Dialogue/ADR mentre c'è da segnalare l'ex equo tra Almost Human e Fargo nella categoria principale, ovvero la Best Sound Editing in Television, Short Form: Music.
Best Sound Editing in Television, Short Form: Music
(TIE)
ALMOST HUMAN
MUSIC EDITOR: Warren Brown, MPSE
FARGO
SUPERVISING MUSIC EDITOR: Skye Lewin, MPSE

Best Sound Editing in Television, Short Form: Dialogue/ADR
THE NEWSROOM, “Oh Shenandoah”
SUPERVISING SOUND/ADR EDITOR: Mark Relyea
DIALOGUE/ADR EDITORS: Edmund Lachmann, Julie Altus

Best Sound Editing in Television, Short Form: FX/Foley
GAME OF THRONES, “The Children”
SUPERVISING SOUND EDITOR: Tim Kimmel
SOUND DESIGNER: Paula Fairfield, MPSE
SUPERVISING FOLEY EDITOR: Brett Voss
FOLEY ARTISTS: Jeffrey Wilhoit, MPSE, Dylan Wilhoit
SOUND EFFECTS EDITOR: Bradley Katona, MPSE

Best Sound Editing in Television, Long Form: Dialogue/ADR
KLONDIKE, “Episode 1″
SUPERVISING SOUND EDITOR: Lee Walpole
SUPERVISING DIALOGUE EDITOR: Jason Lawrence
SUPERVISING ADR EDITOR: Iain Eyre

Best Sound Editing in Television, Long Form: FX/Foley
HOUDINI, “Night 1”
SUPERVISING SOUND EDITOR: Michael J. Benavente, MPSE
SUPERVISING FOLEY EDITOR: Robert Ulrich
FOLEY ARTIST: Joan Rowe, MPSE
SOUND EFFECTS EDITORS: Michael Sana, Paul Diller, Tim Cleveland, Gary Megregian, MPSE, John Snider
FOLEY EDITORS: Rachel Corrales, Ryan Maguire

Best Sound and Music Editing: Television Animation

STAR WARS: REBELS, “Gathering Forces”
SUPERVISING SOUND EDITORS: Matthew Wood, David Acord
SOUND DESIGNER: David Acord
SUPERVISING FOLEY EDITOR: Frank Rinella
FOLEY ARTISTS: Kim Patrick, Frank Rinella
SOUND EFFECTS EDITOR: Ryan Frias
DIALOGUE / ADR EDITOR: Tony Diaz, MPSE
SUPERVISING MUSIC EDITOR: Sean Kiner

Best Sound and Music Editing: Television Documentary, Short Form
AX MEN, “Ax Marks the Spot”
SUPERVISING SOUND EDITOR/SOUND DESIGNER: Bob Bronow, MPSE
SUPERVISING DIALOGUE EDITOR: Doug Kern
SOUND EFFECTS EDITOR: Eddie Rodriguez

Best Sound and Music Editing: Television Documentary, Long Form
FOO FIGHTERS SONIC HIGHWAYS, “Seattle”
SUPERVISING SOUND EDITOR/SOUND DESIGNER/SUPERVISING DIALOGUE EDITOR: Eddie Kim
SUPERVISING DIALOGUE/ADR EDITOR: Jeff Fuller
SOUND EFFECTS EDITORS: Eddie Kim, Justin Lebens
DIALOGUE/ADR EDITOR: Justin Lebens
SUPERVISING MUSIC EDITOR: Jeff Fuller

Best Sound and Music Editing: Feature Animation
BIG HERO 6
SUPERVISING SOUND EDITOR: Shannon Mills
SUPERVISING FOLEY EDITOR: Robert Shoup
SUPERVISING DIALOGUE EDITOR: Kim Foscato
SUPERVISING ADR EDITOR: Daniel Laurie
FOLEY ARTISTS: John Roesch, Alyson Dee Moore
SOUND EFFECTS EDITORS: Addison Teague, Nia Hansen, David C. Hughes, Jeremy Bowker
SUPERVISING MUSIC EDITOR: Dan Pinder
MUSIC EDITOR: Earl Ghaffari
FOLEY EDITOR: Jim Likowski

Best Sound and Music Editing: Feature Documentaries
WARSAW UPRISING
SUPERVISING SOUND EDITORS: Kacper Habisiak, MPSE, Bartosz Putkiewicz
SOUND DESIGNER: Marcin Kasiński ,MPSE, Dariusz Stanek
SUPERVISING FOLEY EDITOR: Henryk Zastróżny
SUPERVISING DIALOGUE / ADR EDITOR: Filip Krzemień
FOLEY ARTISTS: Jacek Wiśniewski, Jacek Pająk
SOUND EFFECTS EDITORS: Aleksandra Pająk, Anna Kufirska, Filip Krzyżykowski
DIALOGUE/ADR EDITOR: Tomasz Maciątek
SUPERVISING MUSIC EDITOR: Agnieszka Putkiewicz
MUSIC EDITORS: Dariusz Podhajski, Anna Malarowska
ADR EDITORS: Stefan Gawłowski, Maciej Wiejaczka, Jarosław Bajdowski, Mariusz Bielecki, Mariusz Andrysik
SOUND EFFECT EDITOR: Michał Kosterkiewicz


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